…
Although Patricia Highsmith strays from the traditional lesbian pulp fiction
format by ending The Price of Salt happily,
she still depicts lesbianism as a disease to reinforce it as harmful and
contagious.
Patricia Highsmith does more than simply
label lesbianism as a disease; she explicitly portrays how lesbianism harms
young women. How? Through her protagonist, Therese, who exhibits a common
symptom of a “sordid and pathological” love: mental instability. In the earlier
parts of the book, Therese retains a calm demeanor, yet shortly after meeting
Carol, Therese’s mind deteriorates. Highsmith demonstrates this deterioration
with Therese’s sudden mood swings, such as when she experiences a shift of
having “anger” to feeling “vulnerable and defenseless” in a scene with Abby
(112). Some argue that this example, however, only shows Therese being deeply
in love, but on the other hand, the kite scene displays Therese’s acquired
instability spilling over into everyday life, such as when she, an adult, ends
up hysterical and “shrill with tears” over a lost kite (92, 93). Understanding
lesbianism as harmful to the mind explains how the mid-1900s society could not
believe that someone would be a lesbian out of her free will. Instead, that
society believes that lesbians are damaged and unable to make rational choices,
and Patricia Highsmith only contributes to the misunderstanding.
I would love some feedback!
--
Farhan Khan
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